I love London, I really do. There is a list of places that I would like to live before I die, and London is in the top 5, somewhere behind New York and Rome.
The Roundhouse is an impressive venue, re-opened in 2006 after furious campaigning and fundraising, it is now the premier venue in Camden town with it’s 2,500 capacity main auditorium, this week playing host to a week of sessions with Morrissey and his band.
I was blessed to be able to arrange a visit on the opening night, last night.
The usual queuing protocol applied, get to the venue as early as you possibly can, which we duly did. Arriving at the Roundhouse, after checking into the hotel, at around 330pm. Doors were due to open at 730pm.
The venue has modern facilities, so seeing the growing queue, getting soaked by the hammering rain, the doors were opened early, at 615pm, allowing us to queue inside, with full bar and toilet facilities, good call by the management.
After being allowed into the main hall, standing around awaiting the support band, Girl in A Coma, the 4 hours of standing in a line, heavy drinking the night before and lack of food caught up with me and I started to feel quite faint, so unwell that I risked losing my amazing place in the crowd to find food. Those who know the extent of my infatuation with Moz will understand how big of a deal this is.
After eating a whole Margarita pizza, I was still not feeling much better, a 10 minute sit on the floor sorted this out, but by this time, my space was well and truly gone. D’oh.
Gladly, the crowd on the left hand side of the stage was sparse and I was able to get to about 3 people from the front, and about 5 metres from centre stage, albeit with 300 people between myself and centre, still, a great view.
After the support band, the pre-Morrissey entertainment kicked in, featuring out-takes from East of Eden, featuring James Dean, the music video for “Ou Ca Ou Ca†by Sacha Distel and the New York Dolls. Only Morrissey could possibly care about warming up the crowd with some of his favourite music and film.
Soon enough, the curtain dropped and the man himself strolled onto the stage with a bow, launching straight into the Smiths classic, How Soon is Now.
Ending the song sat upside down with his back against the drum platform and his head on the floor, YATQ single First of the Gang was up next, performed with oomph. The third time that I’ve seen this song live, and I know that this is the best time. The rest of the set was not to dissapoint.
After complaining about having a ‘Frog in my throat’ (and clarification that he did not mean a small frenchman), I Just Want To See The Boy Happy and the new single That’s How People Grow Up were precursers to Smiths staple Stop Me If You Think You’ve Heard This One Before, all the while in my head thinking how this is how it should be performed, fuck Mark Ronson.
Sister, I’m a Poet, one of my favourite solo-era tracks was truly magical, the band really do well with these upbeat rockabilly tunes, a fact we were to see again later in the encore.
New track, Something is Squeezing my Skull was quickly followed by another, All You Need is Me, as yet unreleased material, it was pleasent to hear the crowd hushed for a while, as they didn’t know the words and thus could not sing along.
Of course, this was all completely trashed in the wake of the opening bars to The National Front Disco, which it seemed brought out the white supremacist in a few people around me, singing at the top of their lungs the ‘England for the English’ part of the chorus. But, I’m sure this is just a few ignorami that still do not understand the meaning of this song.
The Loop once again brought out the twangy double bass that I love so much. None of these tracks have been performed at gigs I have been to before, so it’s a real feast for me as they’re some of my all time favourites.
Another early solo track, Billy Budd is followed up by another of the tracks that hold a special place inside of me, The World is Full of Crashing Bores, after this, more new material, I’m Throwing My Arms Around Paris, which is quite a sweet song. One for the new album, I hope.
Why Don’t You Find Out For Yourself and Stretch Out and Wait, two songs which I find incredibly weak, but suited to be one after another are next, the latter being an odd choice, I believe.
Another staple from the Quarry days, Irish Blood, English Heart, plays them off the stage to rapturous applause, the standard football chants of Morr-iss-ey, Morr-iss-ey, Morr-iss-ey, bring him back in front of the crowd. My face lights up and a huge “teeth an’ all smile” wipes across it when they burst into a full double bass and all rendition of Last of the Famous International Playboys, what a way to finish.
I have only one criticism of an otherwise legendary show and it is that a new song, One Day Goodbye will be Farewell, was not part of the setlist. I’ve seen this on Youtube a few times and really would loved to have seen it with my own eyes and ears.